Predelay: This sets the amount of delay before the actual reverb kicks in, it is the amount of time between the original dry sound and the audible onset of early reflections and reverb tail. Gravity: This act as decay time, when you turn the gravity knob to the right-hand side, it sweeps from a very dense decay to a very long and smooth decay, when you turn the knob to the left, it inverses, e.g a reverse decay time. Let's get to know a couple of its parameters and how they work: Eventide Blackhole Parametersīlackhole comes along with some awesome parameters that help in further making an adjustment to the way you want it to act, here are the major ones: If you love experimenting with reverbs, then this plugin is a must for you, it exhibits a couple of good features such as the ability to create space-warping special effects and drones, creating musical and subtle effects for bringing out key instruments in your mix. Eventide - Blackhole took it a bit further by allowing you to create virtual spaces that could never exist in reality (perhaps, that is why they went for the name - Blackhole). ![]() The EXP socket allows for external tap tempo for the pre-delay or preset recall via a triple footswitch.Most reverb plugin simulates the reverberation of the real world e.g a hall, chamber, and the like. A press-and-hold on Freeze puts the pedal in Preset mode where it can scroll through the five presets hitting the Active switch will load the selected one.įurther foot control is available by plugging in an expression pedal, which can have any combination of parameters mapped to it for a complete morphing of the soundscape. The footswitches can also call up presets. The latching Freeze footswitch will get the last bit of reverbed playing sustaining on while you play over it, albeit with the pedal’s dry sound, which might be too much of a contrast in ambience for some tastes. Primarily the bypass, the Active switch can be latching or momentary for short blasts of effect. Use in performance has been amply catered for with the two footswitches, each having multiple functions. While the hands-on knob tweaking is great here, the EDM software makes it even easier with every parameter laid out in front of you, as well as instant access to Eventide’s 28 carefully programmed factory presets, which really explore the unit’s capabilities. There’s a world of esoteric soundscapes waiting to be dialled in with ethereal evolving pads built from reverb, delay and modulation nestling behind your playing. In fact, its forte is long lingering clouds of uniquely textured ambience. This pedal is more about creating otherworldly spaces. ![]() There are some conventional reverbs to be coaxed out of the pedal – and yet the Blackhole is not about halls, rooms and so on. With all of those parameter choices, there’s a staggering range of unusual ambiences available here. ![]() producing a mild chorus or a more extreme detuning effect. It’s also possible to add modulation via the Rate and Depth knobs. The Decay character of the reverb tail can be adjusted by the Gravity knob, gradually increasing the duration and density of a conventional fading envelope to its right, and offering the same for a reverse decay to its left for a trippier vibe.īesides these, you can add up to two seconds of pre-delay before the main body of the reverb kicks in, and there’s a Feedback knob, adding repeats to extend the effected sound further up to an Infinite mode where you can continuously layer new sounds on top of a suspended reverb.Ī pair of Lo and Hi filters takes care of conventional tonal tasks such as reducing low-end murkiness or taming/enhancing the high-end, and there’s variable resonance for these so you can turn a simple treble boost into an edgy metallic sheen, for example.
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